The following are a range of articles on conservation, heritage, education, public, commercial, religious, residential and urban design by architects firm in London, Wimbledon, Marcus Beale Architects
Bodley at Bedford and 12 principles
Bodley at Bedford – a late, serene work by this distinguished architect. MBA are installing a new organ with other improvements in 2027. Bodley’s twelve principles, summarised.
Read more.The interior west end of Bedford School Chapel, a late, serene work by George Frederick Bodley – grade II* listed, which opened in 1907. Last year listed building consent was granted for a new organ, currently being made by William Drake Ltd in Devon. It will be installed in 2027.
GF Bodley was an interesting character. Devout like many Victorian church architects, an ardent admirer of Ruskin who erroneously believed Gothic architecture was a north European art form, in a lecture of 1885 to students at the Royal Academy [reported in The Builder Feb 28 1885 pp 294-296] Bodley set out ‘some principles and characteristics of architectural design’ which we summarise as follows:
- Refinement ‘denotes restrained power… The whole building in its lines and mass should be the expression of reserve and power controlled… Good art.. is imbued with the expression of life. You see it in… the steady, sturdy, yet thrusting buttresses; in the varied modelling of carved ornament… the mouldings of … a string course.’
- Concentration refers to concentrating ornament, to avoid ‘a monotony of riches’.
- Symmetry ‘or balance in designs … with occasional variation from exact balance.’
- Economy ‘in the use of material… the great Gothic buildings in which … through delicate ribs of curved or straight stone the weight of the hanging vault is held, as if by magic… and passed down into the ground… without any undue waste.’
- Contrast in ‘the noble simplicity of design, one breadth of surface, contrasted with delicate detail’, such as the ‘wave moulding’.
- Avoidance of Extravagance of Manner, such as ‘a capital out of all proportion to its shaft’, but allowing height, the ‘proportion of Westminster Abbey at three squares … excellent, … without any undue exaggeration of height.’
- Suitability means ‘suiting [the] design to the place it is meant for, and to the surroundings.… a patriotism… loyal to the traditions of our beautiful English architecture’.
- Harmony, ‘not only of style, but of character and feeling throughout a building… It is better not to attempt… mingling of styles… Complete works of the great periods…have a unity of feeling, and breadth of effect, stamped upon them…. though there is the utmost variety of detail’.
- Colour in ‘the use of marble or other constructional colour, or in painting… caught from the teaching of nature and the great schools of painting… Look at the deep-toned glass of the twelfth and thirteenth centuries, the gradually refining glass of the fourteenth century… the figures rich and splendid in colour…’
- Work founded on that of the Past: ‘the more extensive your acquaintance with the works of those who have excelled the more… your powers of invention.’
- Consonance with Nature: ‘Though our art like music is not an imitative one, yet its characteristics should be those of nature in the spirit though not the letter.’
- Truth. Bodley refers to ‘Ruskin, to whose teaching we owe so much in the whole field of art.’ and gives an example of untruthful architecture where ‘Iron columns and iron girders are concealed by stone columns and thin stone friezes.’
How do these principles resonate with us now in the 21st Century?
Here is the east end:
BookFest 2025 – the sun still rises in the east
Wimbledon BookFest has been going for two decades and MBA have always supported it. We want the cultural life of our home town to flourish. If your neighbours flourish, you flourish. A principle of regenerative design = make the world better. We like teasing Wimbledon [a diverse and aware community] and have sponsored non-European writers like Jung Chang, Ahdaf Soueif, also Ilan Pappe, Donald Macintyre. This year we are proud to sponsor the festival once again, promoting discussion about things that matter to us all: justice, peace and climate change.
There is a saying:
You can pass a law saying ‘the sun doesn’t rise in the east’ but it still rises in the east.
Education
We have updated our education portfolio which can be found here.
Read more.We have updated our education portfolio which can be found here.
Read less.Conservation
On 15 January 2025 Marcus will be lecturing at University of Nottingham on Conservation.
We use Stanton Williams’ project at Rhodes House as an example. Lecture slides can be found here.
An updated version of MBA’s 2023-01 paper [following NPPF 2024] Managing Change in Built Heritage is available here.
Read less.Sculpture
Sculpture… has no life in itself. Our interaction gives meaning [Gormley]
Often we can identify a ‘focal point’, maybe the end of an axis, where a sculpture of artwork is necessary, an extended arm, outgoing.
Sometimes it is in an ‘elbow’, incoming, the place from which it can be viewed form multiple angles, and can be kissed by the sun over the course of the day
Sometimes it will take no space.
A couple of shots of some ’special projects’ of 2024, works in progress, one an ‘elbow’ sculpture inserted into o a Foggo house, the other a ‘blank canvas’ at the end of an axis waiting for a rich, golden threaded fabric. The golden thread is the story, the route through the landscape.
Read less.Bedford School Chapel – GF Bodley
Listed Building Consent for a new organ at Bedford School Chapel
Read more.Listed Building Consent has been granted for the installation of new organ and lighting to the west end of Bedford School chapel. The chapel is grade II* listed and an important late work of George Frederick Bodley, assisted by Cecil Hare who completed and furnished it after Bodley’s death. It is a building of great refinement.
MBA are architects, project managers and heritage consultants for the project. We enjoyed studying Bodley, his works and writings, and applying his twelve principles of architecture to the building as a way of understanding it.
The work involves removing the original organ, recycling its designed panelling to line the interior of the adjacent tower, and installing a new organ with vastly improved musical qualities. The organ will have a set of ‘choir’ pipes cantilevering over the nave supported by a new steel frame threaded through the existing gallery.
The organ is designed and built by William Drake Limited and will be installed in 2027. Dr William McVicker is organ consultant and Price & Myers are structural engineers.
Read less.Colliers Wood Tower Planning Approval
Planning permission granted for a landmark building in Colliers Wood
Read more.Planning permission has been granted for a nine storey residential building in Colliers Wood, S London.
More about the project here.
Read less.Mansfield College, Oxford
MBA are working with Fielden Fowles at Mansfield College Oxford
Read more.We’re really pleased to be working with Feilden Fowles, Stories, Skelly&Couch, Cast Consultancy, Structure Workshop and others on a transformation and decarbonisation of this wonderful college originally designed by Basil Champneys. AJ has published a notice here https://lnkd.in/eYF2b8ig
Read less.Lectures
- Cambridge University - Architects Scope of service and fees - 5 October 2023
- Nottingham University - Architects Scope of service and fees - 15 November 2023
- Nottingham University - Conservation Legislation and Heritage Assessment - 6 December 2023
- Stanton... Read more.
Upcoming lectures by Marcus Beale
- Cambridge University – Architects Scope of service and fees – 5 October 2023
- Nottingham University – Architects Scope of service and fees – 15 November 2023
- Nottingham University – Conservation Legislation and Heritage Assessment – 6 December 2023
- Stanton Williams – Sound, Music, Architecture – CPD – 18 January 2024
Humane Architecture
Nicholas Ray on Ralph Erskine
Read more.How can we recreate the textures of OLD cities in a way that does not imitate the past? An essay from Nicholas Ray who was my director of studies from 1978-1985 about his relationship with Ralph Esrkine, a champion of Humane Architecture
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